A pagan tradition in a village in the interior of Portugal leaves painful traces in a group of young teenagers. 25 years later, when they meet again, the past resurfaces and tragedy sets in.
Directed by Major Paco for Stink Prague. Filmed on Alexa Mini with Hawk 1.3x squeeze lenses to achieve the anamorphic look and feel while staying within the 16:9 bounderies.
Winner of the AACTA Award Best Indie Film 2020. Directed by Steve Vidler this film is set in inner city of Sydney. Breaking Bad’s RJ Mitte stars in this charming Australian rom-com about a loner with cerebral palsy who is roped into helping a comedian overcome her shyness. Mitte, who has cerebral palsy in real life, gives a winning performance as Travis, a young man living in a ramshackle Sydney rental whose disability contributes to his social isolation and anger management issues.
Directed by Lubos Svoboda for Mustard. Filmed on Sony Venice with Hawk Anamorphic lenses.
The script was to die for the schedule was a murder. You could never tell from the finished film. Shot with Arri Alexa and vintage Kowa anamorphic lenses in one day. The B&W footage originated on 16mm Bolex shooting B&W neg.
Directed by Ozan Yalabik for Public Film. Filmed on Alexa Mini and Sony Venice with Master Anamorphic lenses.
Warning, some viewers may get disgusted!!!!
Shot with Arri Alexa and Vantage 1.3x squeeze Anamorphic lenses over a period of five hours.
What an adventure this shoot was. Impossible in two days. The life story of Beethoven from cradle to the grave.
Shot with Kowa anamorphics and Arri Alexa, over a period of two days.
Filmed over two nights in Slovenia. Very difficult shoot with lots of boats, one of them the famous Italian Riva boat.
Directed by Tomas Barina for Boogiefilms. Filmed on Sony Venice with Hawk T1 lenses. The gods of filmmaking were on our side as the sun shone the whole day.
I have shot all of the interior scenes and all external details of the new Skoda Vison IN car for this commercial.
Not your typical beer ad. Filmed in Prague with Arri Alexa and Kowa anamorphic lenses. Produced by Bistro Films.
Shot in two sessions, sunset sunrise, the spot was filmed in about fifty minutes.